The Japan Times: Takaakira “Taka” Goto (Mono) Interview

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Tracks such as “Till the Night Comes,” an uplifting ballad that suddenly gains a kinetic energy with a riveting, goosebumps-inducing violin midway through, and “Uka — Tenshi no Ibuki” (“Emergence — The Breath of an Angel”), a drumless ambient track making use of a reverse delay, are both highlights that effectively employ extensive looping and sampling. The other tracks on the album are much more sparse and naked than the compositions of Mono, however they retain a similar cinematic quality.

Read the full article at The Japan Times.

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